{"product_id":"fujichrome-64t-type-ii-36exp-expired-2005","title":"Fujichrome 64T Type II 36exp - Expired 2005","description":"\u003cp data-path-to-node=\"1\"\u003eStep into a world of hyper-cinematic, surreal colour with \u003cb data-path-to-node=\"1\" data-index-in-node=\"57\"\u003eFujichrome 64T Type II (RTP II)\u003c\/b\u003e. Originally engineered strictly for studio professionals, architectural photographers, and low-light theatre shooting, this is a \u003cb data-path-to-node=\"1\" data-index-in-node=\"218\"\u003eTungsten-balanced slide (colour reversal) film\u003c\/b\u003e. Expired in \u003cb data-path-to-node=\"1\" data-index-in-node=\"276\"\u003e2005\u003c\/b\u003e, this highly specialized professional stock has spent two decades maturing into an absolute dream medium for experimental photographers looking to break away from standard daylight films.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe Highlights\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul data-path-to-node=\"4\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,0,0\"\u003e\u003cb data-path-to-node=\"4,0,0\" data-index-in-node=\"0\"\u003eThe Tungsten Chemistry:\u003c\/b\u003e Unlike standard films balanced for daylight, 64T was balanced for 3200K artificial lighting. When shot in normal daylight, it delivers a striking, deeply saturated sapphire blue and teal cast. It creates an instant, organic \"day-for-night\" or cyber-punk aesthetic without any digital filters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,1,0\"\u003e\u003cb data-path-to-node=\"4,1,0\" data-index-in-node=\"0\"\u003eProfessional Slide Pedigree:\u003c\/b\u003e As part of Fujifilm’s legendary professional lineup, this film was prized for its microscopic grain and incredible edge-to-edge sharpness. Even with two decades of aging, its fine-grain baseline allows it to retain incredible structural detail.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,2,0\"\u003e\u003cb data-path-to-node=\"4,2,0\" data-index-in-node=\"0\"\u003eVibrant Neon Contrast:\u003c\/b\u003e If you shoot it at night around artificial city lights, streetlamps, or neon signs, it corrects beautifully, rendering those lights with crisp, glowing clarity while pushing the night sky into deep, ink-black tones.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,3,0\"\u003e\u003cb data-path-to-node=\"4,3,0\" data-index-in-node=\"0\"\u003eExperimental Cross-Processing (X-Pro) Potential:\u003c\/b\u003e While designed for standard \u003cb data-path-to-node=\"4,3,0\" data-index-in-node=\"77\"\u003eE-6 slide processing\u003c\/b\u003e, you can choose to cross-process this film in standard \u003cb data-path-to-node=\"4,3,0\" data-index-in-node=\"153\"\u003eC-41 colour negative chemistry\u003c\/b\u003e. Cross-processing 64T yields wildly contrasty, hyper-saturated images with electrifying green, teal, and yellow shifts that are perfect for high-concept fashion or Lomography styles.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"6\"\u003e\u003cb data-path-to-node=\"6\" data-index-in-node=\"0\"\u003eQuick Specs\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul data-path-to-node=\"7\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,0,0\"\u003e\u003cb data-path-to-node=\"7,0,0\" data-index-in-node=\"0\"\u003eFormat:\u003c\/b\u003e 35mm \/ 36 Exposures\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,1,0\"\u003e\u003cb data-path-to-node=\"7,1,0\" data-index-in-node=\"0\"\u003eType:\u003c\/b\u003e Colour Reversal \/ Slide Film (E-6 Process or C-41 for Cross-Processing)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,2,0\"\u003e\u003cb data-path-to-node=\"7,2,0\" data-index-in-node=\"0\"\u003eBalance:\u003c\/b\u003e Tungsten-balanced (3200K)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,3,0\"\u003e\u003cb data-path-to-node=\"7,3,0\" data-index-in-node=\"0\"\u003eOriginal Speed:\u003c\/b\u003e ISO 64\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,4,0\"\u003e\u003cb data-path-to-node=\"7,4,0\" data-index-in-node=\"0\"\u003eExpiration Date:\u003c\/b\u003e 2005\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,5,0\"\u003e\u003cb data-path-to-node=\"7,5,0\" data-index-in-node=\"0\"\u003eBest For:\u003c\/b\u003e Surreal daylight landscapes, neon-lit night photography, and experimental cross-processed fashion shoots.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-path-to-node=\"9\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"9,0,0\"\u003eFor standard E-6 development: We recommend shooting this close to box speed—either at ISO 50 or 64—and prioritizing bright, evenly lit environments.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"9,1,0\"\u003eFor C-41 Cross-Processing: If you are planning to cross-process for wild, high-contrast colour shifts, you can safely rate it at ISO 40 or 50 to ensure your shadows don't drop completely into black.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weird Film Club","offers":[{"title":"Default Title","offer_id":54212613538138,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0998\/1414\/6394\/files\/DSC4559.jpg?v=1780062236","url":"https:\/\/weirdfilmclub.uk\/products\/fujichrome-64t-type-ii-36exp-expired-2005","provider":"Weird Film Club","version":"1.0","type":"link"}